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Max Raabe & Palast Orchester Wer hat hier schlechte Laune

This event is in the past.

Max Raabe and the Palast Orchester stand in evening dress on a picnic blanket in a sunny park.
Copyright: Gregor Hohenberg

“Who’s in a bad mood here?” Strange how this question puts people in a good mood, regardless how they felt before. As its name suggests, that’s exactly the effect the new tour by Max Raabe and his Palast Orchester has on the audience. Regardless of the mood before the concert, the audience is guaranteed to leave the hall with a smile.

This event is in the past.

“Who’s in a bad mood here?” Strange how this question puts people in a good mood, regardless how they felt before. As its name suggests, that’s exactly the effect the new tour by Max Raabe and his Palast Orchester has on the audience. Regardless of the mood before the concert, the audience is guaranteed to leave the hall with a smile.

Max Raabe and his Palast Orchester have proven time and again that mixing the band leader’s own compositions with original arrangements of the 20s and 30s makes for an entertaining show. In “Wer hat hier schlechte Laune”, Max Raabe & Palast Orchester now demonstrate their orchestral prowess honed over the decades.

 

In addition to titles from their current CD, they will perform new classics such as “Guten Tag, liebes Glück”. The evening’s main focus, of course, remains on the music of the 1920s and 30s: hand-picked original arrangements are presented with feeling: “Unter den Pinien von Argentinien”, “Mein Gorilla hat ne Villa im Zoo”, “Ich will von der Lilli nichts wissen”. Highly topical is “Ein Tag wie Gold”, the title song of the current “Babylon Berlin” season penned by Max Raabe and Annette Humpe.

Max Raabe is sitting in a suit on a desk chair in front of a green background and behind him is a zebra.
Copyright: Gregor Hohenberg