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Max Raabe & Palast Orchester„Wer hat hier schlechte Laune?“

Max Raabe and the Palast Orchester stand in evening dress on a picnic blanket in a sunny park.
Copyright: Gregor Hohenberg

Max Raabe and his Palast Orchester have proven time and again that combining the band leader’s own compositions with original arrangements of the 1920s and 30s makes for an entertaining evening. In “Wer hat hier schlechte Laune”, Max Raabe & Palast Orchester demonstrate their prowess that they have honed over the decades.

Max Raabe and his Palast Orchester have proven time and again that combining the band leader’s own compositions with original arrangements of the 1920s and 30s makes for an entertaining evening. In “Wer hat hier schlechte Laune”, Max Raabe & Palast Orchester demonstrate their prowess that they have honed over the decades.

“Who’s in a bad mood here?” Strange how this question puts people in a good mood, regardless how they felt before. As its name suggests, that’s exactly the effect that Max Raabe & Palast Orchester’ performances have on the audience. Regardless of the mood before the concert, the audience is guaranteed to leave the hall with a smile.

 

As well as titles from their current CD, they will perform new classics such as Guten Tag, liebes Glück and the highly topical title song of the current Babylon Berlin season, Ein Tag wie Gold, which was penned by Max Raabe and Annette Humpe. But the evening’s focus will naturally remain on the music of the 1920s and 1930s: hand-picked original arrangements are brought to life with verve, including Unter den Pinien von Argentinien, Mein Gorilla hat ne Villa im Zoo and Ich will von der Lilli nichts wissen.

 

 

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